Gordon Bennett Australia 1955-2014 Notes to Basquiat (Death of Irony) 2002 Synthetic polymer paint on linen / 152 x 304cm The Estate of Gordon Bennett. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Gordon Bennett Notes to Basquiat (911) 2001 synthetic polymer paint on linen 182.5 x 304.0 cm, http://www.abc.net.au/arts/blog/arts-desk/Gordon-Bennett-artist-who-scaled-heights-of-artworld/default.htm, Psycho-social and psychological perspectives on religious violence (week4). In the wake of his untimely death less than two years ago, Gordon Bennett has been championed as a hero of Australian art who drew inspiration from Australias colonial past and postcolonial present to powerfully interrogate the role of language in structuring the ideologies that so determine our personal and cultural identities. He also wrote an open letter to the dead artist celebrating their cultural and artistic similarities, as well as their shared love of jazz, rap and hip-hop. Gordon Bennett. Estimate: $80,000 - $100,000. McLean I., Probability, rap and coincidence: notes to Basquiat in Gordon Bennett: One Tense Moment (episode two), exhibition catalogue, Sherman Galleries, Sydney, 1999 . In, In 1995 Bennett began making work under the name 'John Citizen'. This conversation is manifest quite literally when Bennett drafts a letter to the - then already deceased - Basquiat, outlining his reasons for emulating his style. Forms and styles of representation recur, transmute and metamorphose across his oeuvre in a dizzying fashion. GORDON BENNETT born 1955 Notes to Basquiat: Hand of God 1999 synthetic polymer paint on linen signe. secure our sense of ourselves into eternity, identities are the names Gordon Bennett was an Indigenous Australian artist whose work primarily conveyed indigenous identity struggles, particularly through the subject of colonization and racial injustice. Search the catalogue for collection items held by the National Library of Australia. He also wrote an open letter to the dead artist celebrating their cultural and artistic similarities, as well as their shared love of jazz, rap and . I confess I used to think so, but seeing this exhibition has made me reconsider. I guess it spoke to me of the traces of different experience and layers (2010). A humanist at heart, Bennett created works which are grounded in personal experience and an authentic voice. NOTES TO BASQUIAT: MYTH OF THE WESTERN MAN, 2001. synthetic polymer paint on linen. I am trying to paint the one painting that will change the world before which even the most rabid racists will fall to their knees of course this is in itself stupid and I am a fool but I think to myself what have I got to lose by trying? Change), You are commenting using your Facebook account. Notes to Basquiat:(ab)Original 1998 The Estate of Gordon Bennett Underlying this dialogue with Basquiat Bennett's need to re-contextualise the issues that he has explored throughout his artistic career, confronting them within a global context. In Australia, he would be placed in dialogue with key postmodernist artists such as Imants Tillers, Tracey Moffatt, and Juan Davila. The strange row of heads depicted in the very early work, The Coming of the Light (1987) forms part of the background of this same image. In Bennetts painting, the imagery of 9/11, for instance, illustrates metaphorically the ongoing religious/cultural conflict deeply embedded within Australian society that is comparable to an event like 9/11 where cultural/religious difference is perceived to instigate violence. . . The late artist, of Indigenous and Anglo-Celtic ancestry, expressed his disgust through wit and anger in a variety of . Bennett directly referenced the work of many other artists throughout his career, including Jackson Pollock, Bennett makes art that questions accepted versions of history, often taking historical artworks as his starting point. The work also relates to Basquiat's paintings, following the same principles as his graffiti, signifying the existence of a more basic truth hidden within a given event or thought"--Information from acquisitions documentation. (Ed.). Gordon Bennett was an Indigenous Australian artist whose work primarily conveyed indigenous identity struggles, particularly through the subject of colonization and racial injustice. To learn more about how to request items watch this short online video . )Man + Space: Kwangju Biennale 2000, exhibition catalogue, Kwangju Biennale Foundation, South Korea, 2000, p. 273 (illus. Aboriginal, Torres Strait Islander and other First Nations people are advised that this catalogue contains names, recordings and images of deceased people and other content that may be culturally sensitive. Closed Good Friday & Christmas day we give to the different ways we are positioned by, and position ourselves ^ Gordon Bennett in Gordon Bennett: Selected Writings, Power Publications and Griffith University Art Museum, 2020, p. 132. Gordon Bennett Australia 1955-2014. The textured surface references the colonial footprint of global black slavery. Accordingly, in the present Notes to Basquiat: (Ab)original, 1999, the experience of race and life generally in the northern and southern hemispheres is both differentiated and conflated through Bennett's highly sophisticated mimicry of Basquiat's spontaneous urban style. Gordon Bennett: Illuminations or a season in hell | Artlink Magazine (2014). Bennett is commenting on the devastating effects of colonialisation on Australias indigenous population. At first glance, paintings from the Interior series appear similar to the work of Patrick Caulfield and look like a brightly coloured pull-out from a lifestyle magazine. To learn more about Copies Direct watch this. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia. In his Welt series of paintings of the early 1990s, he painted over the created scarified surface of Jackson Pollock inspired drip paintings in matt black. In other words, such discrimination and historic prejudice directly relate to the current cultural conflict and ongoing search for identity for Indigenous Australians (NGV 2014). Appropriation allowed Bennett to refer to both Aboriginal and non-Aboriginal art, and situate his painting in a fluid area between these two overlapping forms of contemporary art. Provenance. (LogOut/ Estimate: $35,000 - $45,000. Measurements. The visually complex and layered works challenge received accounts of Australian colonial history. Artists suggestions based on your preferences, Filter by media, style, movement, nationality and activity period, Overall performance of recent notable sales, Upcoming exhibitions at your preferred locations, Global snapshot, top performers and top lots, Charts on artist trends and performance over time, ready to export, Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. Get the best price for your artwork or collection. Collection: Bendigo Art Gallery, Gordon Bennett Australia 1955-2014. Bennett's series works across both Australian and American cultures, with wider historic references to the radical and the marginalised. Outsider 1988 revealed. Please also be aware that you may see certain words or descriptions in this catalogue which reflect the authors attitude or that of the period in which the item was created and may now be considered offensive. For example, expressionism features in the highly visceral Outsider (1988), which replays Van Goghs Starry Night. Notes to Basquiat: Double vision2000Gordon BENNETT. signed, dated and inscribed with title verso: G Bennett 15-03-2001/ "NOTES TO BASQUIAT: MYTH OF THE WESTERN MAN". The first African American artist to be internationally acclaimed, he was in many ways a model of the exotic success favoured in the rapacious celebrity stakes of the New York art world as much for his ethnic origins and youthful beauty as for his undoubted talent. 152.0 x 188.5 cm. In the late 1990s Bennett responded to the personal experiences and practice of Puerto-Rican Haitian-American artist Jean-Michael Basquiat by producing a series of paintings that referenced the style and appropriated motifs of Basquiats own art. Gordon Bennett 'Notes to Basquiat' (911) 2001 synthetic polymer paint on linen 182.5 x 304.0 cm. artist with Puerto-Rican heritage who came to prominence in the USA in Professor of Art Theory and Fine Art, Griffith University. Gordon Bennett. The art and legacy of Gordon Bennett (1955-2014), one of Australia's most influential contemporary artists, will be on show at the Gallery of Modern Art (GOMA) from 7 November 2020 to 21 March 2021. inscribed in pencil on reverse : G Bennett 19-5-2000 / "NOTES TO BASQUIAT : DOUBLE VISION" / Acrylic on Linen 152 x 182.5 cms / Jean Cocteau "orpheus" / MIRRORS WOULD DO WELL / TO REFLECT MORE". Create a free website or blog at WordPress.com. Sutton Galleries, Melbourne . Synthetic polymer paint on paper In his recent book Rattling Spears: A History of Indigenous Australian Art (2016), art historian Ian McLean argues that anger is the consistent emotion expressed by Bennetts work. This painting emanates from the 'Notes to Basquiat' series of paintings, where the artist takes appropriation to a new level within his practice. of history and culture - not an essence, but a positioning. A critically and politically engaged artist, Bennett presents alternative historical narratives of Australia and of contemporary world events, creating provocative works that place identity politics front and centre. I was also aware of his concern with western systems of representation and their oppressive effects. Notes to Basquiat (in the future art will not be boring) Gordon Bennett. Ewen McDonald (Editor), Biennale of Sydney 2000, Sydney, 2000, 39 (colour illus. (2014). View Notes to Basquiat (1999) By Bennett Gordon; Synthetic polymer paint on linen; 182.5 x 182.5 cm. "Notes to Basquiat: Untitled, 1999 appears to be referencing Basquiat's 'Samo', with the simple and strong text 'Sorry' recreated in a similar style with the familiar ironic copyright symbol. Synthetic polymer paint on paper Gordon Bennett, "Notes to Basquiat: To Dance on a Tightrope," 1998. private collection, Brisbane. In Abstraction (Native), from the Abstraction series of 20102013, Bennett imposes the face of Australian politician and social activist Peter Garrett (formerly the front man of Australian rock band, Midnight Oil) onto an abstracted human figure. In Notes to Basquiat (Death of irony) 2002, Bennett astonishingly knits a homage to Basquiat with Islamic patterns and calligraphy into a coherent composition . past efforts to "explain" myself - it reads: "Cultural identities are Learn more. . Mclean, I. Gordon Bennett's artwork is on display at Tate Modern in Artist and Society: Citizens. Synthetic polymer paint on paper We will contact you if necessary. Limited Edition Digital Works on Paper . Bennetts Notes to Basquiat collectively have had an extensive exhibition history, with a selection exhibited in the Kwangju Biennale 2000: Man + Space, Korea and the 9th Asia Pacific Triennial in 2001. the points of identification, or suture, which are made within the discourses Art, Australian -- 20th century -- Pictorial works. Gordon Bennett - Sutton Gallery Far from being grounded in mere "recovery" author unknown. Gordon Bennett - Art - LibGuides at Melbourne High School Free entry, Find out what you need to know before visiting, Untitled (reference to Colin McCahon's 'Valley of the dry bones'), Myth of the Western man (White man's burden), Outsider/ insider: the art of Gordon Bennett, Mmoires vives: une histoire de l'art aborigine, Australian art and the Russian avant-garde. history, culture and power. Given that consistently expressed view, thinking about how his work addresses the cause of anti-racism is an apt prism through which to view the current exhibition. For example, the small painting of a black angel in the installation in the first room of the exhibition titled Psycho(d)rama (1990) recurs in Notes to Basquiat (Jackson Pollock and his Other) (2001). Bennett updates this image in Possession Island (Abstraction) by concealing the indigenous servant beneath the abstract and conceptual style of Kazimir Malevich. Bennett, G., quoted in Gordon Bennett, National Gallery of Victoria, Melbourne, 2007, p. 212. ibid.3. His sophisticated mimicry becomes two-fold in his quotation of Margaret Prestons woodcut design of a fish. 1 / 1 - Notes to Basquiat - Big Shoes - 2002. and the histories of shared experience and levels we can relate to each Open daily Home Decor (After M Preston) No 3 2010 2010 Synthetic polymer paint on linen / 182.5 x 152cm The Estate of Gordon Bennett. reality embodied in the idea "that we are all alike underneath" is also is inspired by the work of Jean-Michel Basquiat, the Haitian-American Gordon BennettAbstraction (Native) 2013acrylic on linen183 x 152.3cmCollection: Museum of Contemporary Art, purchased with funds provided by the MCA Foundation, 2013 The Estate of Gordon Bennett. Read more: (1999). The price achieved of AUD 4,700 ( 2,835) was within expectations - the estimate range had previously been given by the auction house as AUD 4,000 - 5,000. 1999, Notes to Basquiat Untitled, 1999 [picture] / Gordon Bennett. . I was excited to find in the essay "Welcome to the Terrordome: Jean some essentialised past, they are subject to the continuous "play" of Gordon Bennett | NOTES TO BASQUIAT (2001) | MutualArt Gordon Bennett Neo-Expressionism | by Exposition Art Blog | Medium Gordon Bennett (1955 -2014) was an Australian artist of Aboriginal and Anglo-Celtic descent. We notify you each time your favorite artists feature in an exhibition, auction or the press, Access detailed sales records for over 657,106 artists, and more than two decades of past auction results, Buy unsold paintings, prints and more for the best price, Notes to Basquiat: Myth of The Western Man ,2001, Notes to Basquiat: Cut the Circle II ,2001, Home Decor (After Margaret Presont) ; Preston+DeStijl = Citizen (My Boomerang Won't Come Back) 1996 - Gordon Bennett, Home Decor (Counter Composition) Black Swan, 1999 - Gordon Bennett. His intention in the Notes to Basquiat series is to 'highlight the similarities and cross-connections of our shared experience as human beings living in separate worlds that each seek to exclude, objectify and dehumanise the black body and person'. We are developing and evolving the new Collection Online and would love to hear what you would like to see developed next by answering these questions after you've finished using the website. Impossible aims, such as this one, often underpin and drive the work of major artists; an achievable aim after all would be quickly satisfied. by Greg Tate which reads: "To be a race-identified race-refugee is to Gordon Bennett Notes to Basquiat: Australia Day Re-enactment, 1999 Acrylic on linen 182.5 x 182.5cm + Gordon Bennett Home dcor (Preston + de Stijl = Citizen) Panorama, 1997 Acrylic on canvas 182.7 x 365.3cm National Gallery of Victoria + Gordon Bennett Possession Island . Levels 7-12. Bennett not only borrows images from the work of American artist Jean-Michel Basquiat, but also begins to mimic Basquiat's spontaneous and gestural urban style of painting, reflecting his involvement in the graffiti culture of the United States. We notify you each time your favorite artists feature in an exhibition, auction or the press, Access detailed sales records for over 657,106 artists, and more than two decades of past auction results, Buy unsold paintings, prints and more for the best price, Notes to Basquiat: Myth of The Western Man ,2001, Notes to Basquiat: Cut the Circle II ,2001, Home Decor (After Margaret Presont) ; Preston+DeStijl = Citizen (My Boomerang Won't Come Back) 1996 - Gordon Bennett, Home Decor (Counter Composition) Black Swan, 1999 - Gordon Bennett. Such is reiterated by the works unfolding lines of text the same but different / different but the same a notion which not only reverberates throughout the entire series, but is similarly reflected in Bennetts knowing relationship to Basquiat and his practice. Gordon Bennett Possession Island (Abstraction) 1991 was purchased jointly by Tate and the Museum of Contemporary Art Australia with fund provided by the Qantas Foundation, 2016. BENNETT, Gordon; Notes to Basquiat: Perfect Teeth within, the narratives of the past.". Gordon Bennett - Notes to Basquiat: 911 - Search the Collection Attending to form as much as content enables a different view of Bennetts oeuvre and critical purpose. Susan Best receives funding from the Australia Council for the Arts and the Australian Research Council . Bennett is not claiming a genealogy Bennett claims his identity was, shaped by the historical narratives of colonialism with all its romantic illusions and factual deletions (SMH 2014). Gordon Bennett Australia 1955-2014 Notes to Basquiat (Jackson Pollock and His Other) 2001 Synthetic polymer paint on linen / 2 panels: 152 x 152 cm each, 152 x 304 cm (overall), Gordon Bennett Australia 1955-2014. Bennetts series works across both Australian and American 'One of the most important Australian artists of the late 20th century ^ Terry Smith, "Australia's Anxiety," History and Memory in the Art of Gordon Bennett, Birmingham: Ikon Gallery, 1999, p. 17. ), 210. Certainly, the notebook quote reflects how Bennetts reputation has been cemented in Australian art history. Of course, this price has nothing to do with the top prices that other . At times it is as though we are looking at the work of more than one artist. Copyright or permission restrictions may apply. Bennett conversed about his conceptual painting practice as 'based on the semiotics of style and paint application, images and text, historical and contemporary juxta-position'. why. and painterly fields of your work and particularly to the layered lines APT3 - Artist's Work - Gallery of Modern Art, Brisbane Notes to Basquiat Untitled, 1999 [picture] / Gordon Bennett | National ), 31, Gordon Bennett was a painter of history and histories. Aboriginal Australians -- Politics and government. Notes to Basquiat - Big Shoes - Cooee Art By peeling They often use the dots associated with Aboriginal Western Desert painting intertwined with western systems of realist depiction. GORDON BENNETT (b. Others are held in regional, state and national collections (National Gallery of Australia, Queensland Art Gallery and Gallery of Modern Art, National Gallery of Victoria and the Art Gallery of New South Wales) as well as international collections including Wereldmuseum, Rotterdam.LUCIE REEVES-SMITH, Important Australian + International Fine Art, Gordon Bennett, managed by John Citizen Arts Pty Ltd. NOTES TO BASQUIAT: LIBERTY, 2000. synthetic polymer paint on linen. Inscriptions: "G. Bennett Nov. 1999 / Notes to Basquiat: Untitled"--On verso. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Indeed, perhaps more directly and explicitly than any other Australian artist, he engaged in the debate on republicanism, sovereignty and citizenship in an effort to highlight the plight of indigenous people not just locally, but internationally, who have become estranged as a result of colonialism.
gordon bennett notes to basquiat